Behringer XENYX 1204 USB Maišymo pultas

Behringer XENYX 1204USB — Premium 12-Input Mixer With USB for Studio and Stage

This compact Premium 12-Input 2/2-Bus analog mixer fits comfortably on a home desk or side-stage table. Built-in USB audio interface routes signals directly into a Mac or PC without separate converters. Four XENYX mic preamps, British-style channel EQ, and one-knob compressors cover what solo artists and small bands need for live work and home recording. Moving up from entry-level gear becomes much easier with this desk at the centre of the signal chain.

Standout Features — Rarer Than the Price Suggests

Two features earn attention here: XENYX preamps delivering 130 dB of dynamic range with bandwidth from below 10 Hz to above 200 kHz, plus one-knob compressors on every mono channel — uncommon at this price point. Channel EQ borrows circuitry from British consoles of the 1960s and 1970s, adding warmth and forgiving character that survives generous EQ boosts.

Mixer Architecture and USB Connectivity

Routing flexibility is what keeps this desk easy to live with on stage and in front of a DAW.

• Inputs: 12 total — 4 mono mic/line XLR channels plus stereo line returns — handles a typical four-mic live rig alongside playback sources
• Aux send, monitor send, and main mix run in parallel through 2/2-Bus analog routing, so monitor mixes and a FOH feed build at the same time without re-plugging signal paths.
• USB interface: Bidirectional stereo, plug-and-play on Mac and PC — streams the mix straight into recording software without external converters

Mic Preamps and Channel EQ

Front-end clarity usually defines how a mixer behaves under pressure, and the XENYX design here delivers quiet, detailed capture on every channel.

• 4 studio-grade XENYX preamps with +48 V phantom power feed four condenser microphones at once — drum overheads, a small choir, or a four-person podcast panel on one desk.
• Dynamic range and bandwidth: 130 dB of headroom from below 10 Hz to above 200 kHz — captures kick-drum weight and vocal air without clipping the input stage
• EQ + compression: 3-band British-style channel EQ paired with one-knob compressors on mono inputs — vintage-flavored tone shaping with entry-level-friendly dynamics control

Inputs, Outputs, and Monitoring

Physical I/O matches the typical small-stage and home-studio connection map without demanding adapters.

• 4 XLR mic inputs with phantom power plus 6.35 mm TRS line inputs sit on the four mono channels — one XLR and one TRS per strip.
• Outputs and routing: Analog 6.35 mm main mix outs, single 6.35 mm headphone output, stereo auxiliary return for external effects, plus 3.5 mm / RCA stereo input with selectable +10 / -10 dB pad
• Form factor: Compact tabletop, not rackmountable, no internal effects onboard — relies on external aux returns or DAW plug-ins for reverb and delay

Right Fit for Live, Studios, and Podcasts

The 1204USB suits solo musicians, podcasters, content creators, and small-venue performers who want one desk covering live mixing and recording. Singer-songwriters pick up clean vocal capture and warm EQ without external processing. Podcasters run four panel mics straight into a computer over USB. Bar and club gigs get enough headroom for drums and bass without separate dynamics gear on stage. Quick tracking sessions send live signals into a DAW while monitor mixes reach the performers at the same time.

British Console Heritage in the XENYX Line

The British EQ traces its circuitry to the legendary 1960s and 1970s mixing consoles that powered the British Invasion and defined the recorded sound of rock and roll. Behringer built the XENYX line around that heritage, packaging vintage tonal character into accessible hardware.